Keys to the Deep Halls

The Deep Halls of Amon-Gorloth, Keyed by Sub-Levels and Encounter Areas
The Deep Halls of Amon-Gorloth, Keyed by Sublevels and Encounter Areas.
Encounter areas are numbered. Sublevels are noted with the level number followed by a letter designator, highlighted in purple. Map by Dyson Logos.

Getting Into the Deep Halls

Dreaming Amon-Gorloth is a dungeon and wilderness adventure campaign for character levels 1 to 9 intended for use with any old-school edition of the world’s most superlative role-playing game.

The should-be simple exercise of keying rooms is already a nightmare. The dungeon, consisting of 180 encounter areas, goes down seven levels. Each level is divided, by contiguous rooms, into 51 sublevels.

The first four dozen encounter areas by sublevel serve to demonstrate its twisted quality.

Sublevel Encounter Areas Sublevel Encounter Areas
2A. 1-3 3C. 23-25
2B. 4-8 2C. 26-29
1A. 9-12 3D. 30-31
3A. 13-14 3E. 32-33
4A. 15-18 4B. 34-40
3B. 19-22 4C. 41-48

A party might enter the dungeon and proceed immediately along 3. Grand Entry Hall (2A.) down to area 34. Nightmare Bazaar (4B.), or they might follow at least five other circuitous routes to the same destination.

Your Favorite Monsters from Holmes

I have worked out much of the campaign scenario, and Melqart and his “Company of the Blind Seer” have explored several chambers close to the entrance—as far as 57. Chamber of the Processional (3F.).

I’m taking your suggestions for favorite Holmesian monsters to place in sublevels and particular halls and chambers in the Deep Halls of Amon-Gorloth.

Recalculating a Coin’s Weight

In “Holmes on a Coin’s Weight,” we take the Editor’s proposed weight of a standard coin—twice that of a quarter—and calculate that 40 coins make a pound. This was prompted by questioning the validity of old-school D&D’s standard, ten coins to a pound, to measure encumbrance.  Now I’m curious about the real weight of coins made from precious metals.

Source of Incongruence

In his review of the TREASURE chapter of the Holmes manuscript, Zach Howard notes that the section with heading BASE TREASURE VALUES (Holmes, 34), in which the weight of a coin is specified as twice that of a quarter, is not present.1 We deduce, then, that neither the 110 nor the 140 pound coin is proposed by Holmes. Rather, the incongruous weights entered the publication during editing.

I added a brief mention in an update to the earlier article.

Precious Metal Coin Weights

A US quarter-dollar piece, 1.75 mm thick and 24.26 mm in diameter, has a volume of 808.93 mm3 or 0.81 cm3. By the weight of the precious metals from which D&D realms mint coins, we can calculate the number of coins in a pound by metal. We ignore electrum as the alloy varies in weight depending on its composition.

Precious Metal Pieces
Piece Copper Silver Gold Platinum Average
Volume (cm3) 0.81 0.81 0.81 0.81 0.81
1 cm3 Weight (lbs.) 0.0197 0.0231 0.0426 0.0473 0.0332
Piece Weight (lbs.) 0.0160 0.0187 0.0345 0.0383 0.0269
Pieces in 1 lb. 62.64 53.38 28.99 26.11 42.78

More precious metals are heavier. A pound of copper counts 64 pieces, while less than half that number make a pound of gold or platinum, 29 or 26 pieces respectively.

Forty Coins to a Pound

We could justify a pound of 40 coins by assuming most treasure hauls will have a mix of silver, gold, and platinum, with silver making up a half. We leave the copper pieces in a trail behind us, so we can find our way back to the hoard for a second load.2 The average of 53, 29, and 26 is 36 coins, which rounds up to an even 40.

And let’s take another look at the Holmes quarter-sized coin. Its weight, 0.025 pounds, is practically the average of the ensemble of precious metal coins: 0.027 pounds.

Precious Metal Pieces Compared to the Holmes Quarter
Piece Average of Precious Metal Pieces Holmes Quarter
Volume (cm3) 0.81 0.81
1 cm3 Weight (lbs.) 0.0332 0.0309
Piece Weight (lbs.) 0.0269 0.0250
Pieces in 1 lb. 42.78 40.00

The average number of pieces per pound is 42.78. Adding electrum (not shown) with equal parts gold and silver brings the average down to 41.74.

Aside: Early Calculations

That the average weight of precious metal coins comes so close to Holmes’s twice-a-quarter’s-weight makes me wonder whether some editor might have done the research and made the calculations.

In the Internet Age, out of sheer curiosity, I looked up the precise dimensions of a quarter and plugged them into a volume calculator, found a web page that gives weights of metals by volume, and entered a few simple formulas into an electronic spreadsheet.

Certainly, the average 1970s high school student could accomplish the same,3 though by other means. All the calculations—the coin’s volume and each formula for each metal—must be done by hand, possibly with the assistance of a handheld calculator. Before doing the numbers, the research to find the weights of precious metals—unless one had a set of encyclopedias on the home shelf or a reference work noting specific gravities of metals—required a library trip.

Again, it was doable without the web, but it took more time and effort. Whoever did it, if it was done prior to 1977, had to be motivated.

Ten Coins to a Pound

To weigh one-tenth of a pound, how big would a coin have to be?

The average weight of 1 cm3 of the given precious metals is 0.033178 lbs. One-tenth pound divided by 0.033178 is 3.014. So we need about 3 cm3 of metal. A coin of that volume and, let’s say, twice a quarter’s thickness, 3.5 mm, must have a diameter of 33.1 mm, which is 1.30 inches or just shy of 1516.

Coincidentally, the Eisenhower dollar coin, with a 1½-inch diameter and 110-inch thickness, has a volume of 2.8958 cm3. It weighs 24.624 grams or 120 of a pound. So, instead of a quarter dollar, we might say coins in D&D are the size of an Eisenhower dollar and twice the weight.

In a world of fantasy adventure, I could go with a coin of such an important size. It’s treasure, after all. It ought to look like treasure!

Still, even at quarter-size, we could argue for the ten-coin pound. As Moldvay suggests, when measuring encumbrance, we mustn’t neglect bulk. A coin seems to be the antithesis of bulk. It’s small, stackable with others, creates minimal lost space between pieces, and fistfuls of them fill voids between silver goblets and gold statuettes.

But a sack of coins isn’t rigid. I’m guessing that the only difference between a sack of 1,750 metal pieces and a party member’s corpse carried over your shoulder is that one of them will pay for a round at the base town tavern.

Euro Equivalents
Euro Equivalents.
The 2- and 1-euro coins are just larger and just smaller than a quarter: 25.25 and 23.25 mm in diameter, respectively. The 50-cent piece is the closest match at 24.25 mm, though its thickness, 2.38 mm, is a third again that of a quarter.

Notes

1 Zenopus Archives blog, “Part 34: ‘Many Monsters Carry Treasure.’

2 In adventurer jargon, copper pieces are called “dungeon marks.”

3 In a December 1983 Dragon article, David F. Godwin makes such calculations. “How many coins in a coffer?” (Dragon #80, 9) doesn’t question the tenth-pound coin but addresses the related problem of a coin hoard’s volume. One point Godwin makes is that, due to the heavier weights of metals, the volume of coins in a “full” sack is much less than the sack’s volume. Imagine a stack of ten quarters. It weighs one pound. Make six rows of stacks by ten columns. Rounding to convenient dimensions, a stack of ten quarters takes up a volume 1" × 1" × ¾". Stacked, the 600 coins take up 6" × 10" × ¾". Dump them into a large sack. Any more weight would burst the seams, but there’s still a lot of air in the volume. So much that even four times as many coins doesn’t begin to take up the space.

For an example of a large sack overfull, see the Erol Otus illustration in Moldvay’s D&D Basic Rulebook, B20.

Holmes on a Coin’s Weight

“…for 300 gold pieces are assumed to weigh about 30 pounds” (Holmes, 9).

Melqart raised the torch over his head. Flickering light glinted off gold and silver. An alabaster frieze decorated the far wall. Before it, coins spilled from coffers, chests, and brass urns. A gold chain adorned with precious stones sparkled red and green.

Melqart drew a breath. “How many rounds1 you reckon, Hathor?”

Hathor-Ra stood, shield lowered, mace pointing down, mouth agape.

“Hathor?”

She blinked at the dazzling mound. “Thousands and thousands!”

“How many sacks do we have?”

“Three large, one small… and I’ve got room in my backpack.”

In early D&D editions, the base unit to measure encumbrance is the “coin,” and ten of them weigh one pound. I struggled with that idea for a long time. Even if we assume that encumbrance is “a combination of weight and bulk,” as Tom Moldvay puts it (B20), a one-tenth-pound coin seems hardly credible. Eventually, I came around to accept the absurdity in favor of playability.

Ten coins to a pound started as early as OD&D, in which the average man weighs 1,750 coins (Vol. 1, 15). That the entry tops the encumbrance list is either to set a benchmark—175 lbs. was average for a 1970s American male—or to remind us it’s a dangerous world: there are rules for carrying a comrade’s corpse.

The ten-coin standard continued through AD&D and the “Basic” line (B/X, BECM/I, and the Rules Cyclopedia). It was abandoned in 2nd Edition, which uses pounds to measure encumbrance.

The quote at top from the section on encumbrance in Holmes Basic D&D pulls the heavy coin forward from OD&D. But Zach Howard’s reading of the Holmes manuscript implies that it wasn’t the Editor who wrote the encumbrance section,2 but rather a subsequent editor.3

Elsewhere in Holmes we read:

“All coins are roughly equal in size and weight, being approximately the circumference and thickness of a quarter and weighing about twice as much” (34).

Reading Zach Howard’s discussion of the Treasure section in the Holmes manuscript, I see that Holmes didn’t write about the size and weight of coins either. [22:30 13 February 2022 GMT]

This gives us the idea that Holmes used, at least in his own game, a smaller value for the weight of a coin.4 A US quarter-dollar piece weighs 5.67 grams. Twice that, 11.34, is 0.025 pounds. Using this as the standard, there are 40 coins in a pound.

Do you know what that means? You can carry four times more treasure out of the dungeon. That’s four times more treasure! More treasure for you, more treasure for me—more treasure for everyone!

Laden Thieves
Laden Thieves.
Adventurers carry 9,600 rounds in four large sacks.

Notes

1 A round, in adventurer jargon, is a precious-metal coin of any realm, past or present.

2 Zenopus Archives blog, “Part 6: ‘Fully Armored and Heavily Loaded’

3 Howard suggests, with compelling evidence, Gary Gygax for the Editor’s editor: “Interlude: Who Edited the Editor?

4 Written accounts from the Editor himself indicate that Holmes knew and used some rules from an early third-party OD&D supplement called Warlock. I wonder if a coin’s weight is addressed in those rules. Zenopus Archives blog, “Warlock or how to play D&D without playing D&D?

Having now had the opportunity to read Warlock as printed in The Spartan #9 (August 1975), I can report that, other than that it weighs one unit, no mention of a coin’s weight is contained therein. Nor is any other of Holmes’s unique rules. [18:34 19 May 2022 GMT]

Three Daggers for Protection

After sharing “A Dagger for Protection” in the D&D Basic Set (Holmes) Facebook group, an exchange of ideas with old-school gamer J. Sebastian Pagani yields two more magic daggers that fit the protection theme.

“Since it’s purpose is to help preserve the life of the low level wizard,” Pagani suggests, “what about allowing it to restore 4 hit points, at the cost of its enchantment.”

That power, put into its own item, gives us the Dagger of Sacrifice.

Pagani’s inspiration for the other dagger comes from Argentine literature. In Leopoldo Lugones’s historical novel La guerra gaucha (1905), a threat, directed at whoever might attack its possessor, is engraved on a gaucho’s knife blade.

Quien á mi dueño ofendiere
De mí la venganza espere;

A gaucho is a brave, free-spirited, and rebellious horseman of the pampas. His lifestyle is the theme of Gaucho literature, the epitome of which is the epic poem El Gaucho Martín Fierro by José Hernández.

Martín Fierro, the character, became a symbol of the gaucho spirit, and the poem, published in two parts (1872, 1879), remains a celebrated cultural icon. Hernández is held in high esteem by generations of Argentine writers.

In 1913, Lugones gave a lecture series, collected into El payador (1916), in which he canonizes the work Martín Fierro and depicts the gaucho culture. Detailing the habiliments of the gaucho, Lugones describes the horseman’s weapon as “a great hunting and fighting knife.” The blade often bore chivalric mottos. As an example, he cites the couplet from La guerra gaucha.

Pagani read the couplet quoted in an essay by another Argentine writer, possibly Jorge Luis Borges. Pagani was struck by the essayist’s reaction to the engraved motto: “He was moved that the blade was speaking in the first person, as if it had a life of its own.” Hence, the inspiration for the Dagger of Vengeance.

Inspired in my turn, I stormed around the gray matter for inscriptions on the other daggers, which I include below with brief commentary.

The Dagger of Protection is copied from the earlier article.

New Magic Items

Phrases set off below a dagger’s description may be engraved upon the blade.

Dagger of Sacrifice — a dagger +2. When the possessor reaches 0 hit points, the dagger restores 1 to 4 hit points. It can so save the possessor’s life one time only. Then it becomes a dagger +1 forever after with no other power.

now i am become life the restorer of weal

Fangled from a line in the Bhagavad Gita, which Robert Oppenheimer called to mind on witnessing the first nuclear weapons test: “Now I am become death, the destroyer of worlds.”

Dagger of Protection — as a dagger +1 in combat. It is paired with a steel sheath. Only while sheathed does the dagger protect the carrier, adding +1 to armor class and saving throws. Also called a “mageblade.”

to wield or protect

Brainstorming protection quotes got me the 23rd psalm and the LAPD motto. I find the motto more malleable.

Dagger of Vengeance — a dagger +1. If the possessor, whether wielding the weapon or not, is slain by an attacker, the dagger becomes animated and attacks the slayer. Treat the dagger as the same class and level as the slain. It has an armor class of 2. When the animated dagger is hit, or when its vengeance is served, it falls to the ground.

whoever offends my master let him expect my vengeance

Lugones’s couplet translated but otherwise unadulterated.

Engraved Couplet - Leopoldo Lugones - El payador 1916
The motto appeared earlier in Lugones’s historical novel La guerra gaucha. The author recalls the couplet in El payador, shown here. Lugones precedes the inscription with a note that the engraved mottos were “in rough handwriting and worse spelling.”

Progressive Dice, a Misnomer

This is a follow-up article to “Progressive Dice for Effects Durations,” in which I propose a method to roll each turn for the chance for an effect to end. This, in order to maintain the secrecy—and suspense—of an effect’s duration when playing solo or otherwise without a DM.

So-Called “Progressive” Dice

“Instead of rolling for the effect duration at the trigger to know on what turn the effect ends, we roll the same dice at the beginning of each subsequent turn to see if the effect ends in that turn.

“A dice result equal to or greater than the current subsequent turn indicates the effect continues. Roll again at the beginning of the next turn. A lower result means the effect ends.”

—“Progressive Dice for Effects Durations

I’ve used progressive dice for effects durations and a number of other things for years. My assumption was that the chance for the effect to end each turn stands alone turn by turn, increasing as turns go by, therefore “progressive.” I also assumed that the overall probabilities, compared to the traditional method, were somehow the same.

Progressive Dice - Assumption

Writing the previous article forced me to think a little deeper on the method. I wondered if I’d got it right. Does it really yield a progressive chance, turn by turn, for the effect to end?

The smartest D&D mathematician I know is Dan Collins of Wandering DMs and Delta’s D&D Hotspot. A 40+ year D&D veteran, Dan is also a university lecturer in mathematics and computer science.

So, I sent him a query outlining the problem. Dan’s response, a few lines and a table of probabilities, shows how it is that progressive dice are not so progressive after all. For, using the proposed method, the chance of the effect ending is much higher in the initial periods than the later, so, not at all statistically equivalent to the traditional method.

In a traditional game, the DM rolls a single dice (or combination thereof) when an effect is triggered to determine its duration. A duration of 1 to 6 turns, say, is rolled on a d6. The probability that the effect ends on any turn is ⅙ or 16.67%.

Single Dice Roll [Traditional]

Using so-called progressive dice, “It stacks up differently,” Dan writes. “It’s very unlikely that you’ll get to turn 5 or 6, because you have to survive all the prior rolls to get there. Over half the time you’ll have the effect stop after two or three rounds.”

Here I had to make a saving throw vs. Death Ray. Reading the email, I was talking to Dan through the screen: The progressive dice method is so elegant, man—it has to be right!

Dan goes on to explain: “Computing a compound probability like this is a series of multiplications…” He also includes a table with a note that, if the calculations are correct, the sum of all chances should be 100%. I reproduce the table here.

Progressive Dice, Chance to End After Turn n
Turn Multipliers Product
1 16 16.67%
2 56 × 26 27.78%
3 56 × 46 × 36 27.78%
4 56 × 46 × 36 × 46 18.52%
5 56 × 46 × 36 × 26 × 56 7.72%
6 56 × 46 × 36 × 26 × 16 × 66 1.54%
Total   100%

So, it isn’t just the simple chance (bold) each turn that the effect will end. We have also to factor in the cumulative chance (italics), which is each previous roll inverted, that the effect hasn’t already ended.

Note that, in the previous article, we roll to see if the effect ends at the beginning of the next turn. “Ends after turn n” is a different way to say the same thing.

Progressive Dice - Correction

Therefore, at best, I misnamed “progressive dice.” Though the number to roll increases turn by turn, the chance to make that number is not at all progressive. The chance to end the effect after the second or third turn is much higher than the first or later turns.

Alternatives

So, what is a DM-less player to do? We might accept the statistical difference and use the so-called “progressive” dice in play. Or we might seek out other solutions. We look here at two—one of them works.

Single Dice, Effect Ends on a 1 (Not a Solution)

I thought of an alternative method. Roll the same dice every turn, with a result of 1 signaling the effect’s end. The effect ends automatically at the end of the  maximum duration.

It’s more simple than counting turns. But, if I’m following Dan’s lesson well, we still have to factor in the chance that the effect ended with the previous roll(s).

Effect Ends on 1, Chance to End After Turn n
Turn Multipliers Product
1 16 16.67%
2 56 × 16 13.80%
3 56 × 56 × 16 11.57%
4 56 × 56 × 56 × 16 9.65%
5 56 × 56 × 56 × 56 × 16 8.04%
6 56 × 56 × 56 × 56 × 56 × 16 6.70%
Total   66.51%

Ends on 1

Furthermore, I note that the total percentage is only 66.51, which is 33.49 short of 100. I’m guessing that’s because the effect automatically ends at the duration’s upper limit. The chance that it will end after the 6th turn is, in fact, 6.70 plus the remaining 33.49, or 40.19%.

Ends on 1 - Corrected

1 to n Cards

Dan suggests a card solution: a number of playing cards n equal to the upper limit of the range, 1 to n, one of which is an ace—or, if you have a deck of many things on hand, the Donjon (ace of spades) or the Fates (ace of hearts).

Shuffle the deck once when the effect is triggered. Draw one card from the top of the deck at the beginning of each turn. When the ace comes up, the effect ends.

Here, the shuffling is the dice roll, which determines on which turn the effect ends (on the ace). The chance that it will end in any particular round is 1n, just like a single dice roll. The only practical difference from the dice roll is that the ending turn, while predetermined, is hidden within the deck. Also elegant.

A disadvantage is that the card method cannot duplicate dice combinations. Melqart’s stun duration, 2d4 turns, for example, cannot be reproduced using this method. In this case, it was the first effect duration of the campaign, but dice combinations might be infrequent.

Another disadvantage is that you have to manage an additional tool at the table. The suspense about when the effect ends, though, may well be worth the trouble.

For myself, I love to incorporate playing cards into my D&D, and if there’s an opportunity to get more use out of a deck of many things, I’ll take it.

Other Solutions?

I’m interested to hear your suggestions for maintaining the secrecy of effects durations in a DM-less game. I would also entertain a counterargument showing that progressive dice do in fact produce progressive results. Because it’s elegant, man, it has to be right!

My thanks to Dan Collins for his statistical analysis of the problem as well as an alternative solution. For interested readers, Dan offers several venues to learn more about dice and probability. In an episode of Wandering DMs, Dan gives a course in Basic Dice Math, and in another episode with cohort Paul Siegel, he talks Dice Mechanics. In addition, you’ll find a plethora of articles about dice statistics on Dan’s blog.

“A Dagger For Protection”

Magic-users — humans who elect to become magic-users must not wear armor and can carry only a dagger for protection” (Holmes, 6).

Reading Holmes on a Sunday morning—as one does—gave me an idea for a magic item.

Though we might say one carries a weapon “for protection,” it really doesn’t protect us so much as it should harm an aggressor. I thought, what if…?

New Magic Item

Dagger of Protection — as a dagger +1 in combat. It is paired with a steel sheath. Only while sheathed does the dagger protect the carrier, adding +1 to armor class and saving throws. Also called a “mageblade.”

Progressive Dice for Effects Durations

In the first foray into the Deep Halls, Melqart is stunned by the defensive explosions of scarab beetles. The effect lasts for 2 to 8 turns.

Normally, the DM rolls 2d4 and makes note of the turn on which the character recovers. Playing solo or otherwise without a DM, though, we should not know when the effect is to wear off.

In Melqart’s case, had I rolled the variable duration immediately, I might be tempted to plan the next turns—or otherwise use the information unconsciously. “We guard Melqart until he can move again…” This breaks the narrative tension and challenges verisimilitude.

Procedure

For these occasions, I use what I call progressive dice. Instead of rolling for the effect duration at the trigger to know on what turn the effect ends, we roll the same dice at the beginning of each subsequent turn to see if the effect ends in that turn.

A dice result equal to or greater than the current subsequent turn indicates the effect continues. Roll again at the beginning of the next turn. A lower result means the effect ends.

Examples

Simple Variable Duration

A shrieker’s alarm sounds for 1 to 3 rounds after exposure to light. The next round is the first round of the effect duration. No need to roll this round, as the effect continues even on a 1. On the second subsequent round, the shrieking continues on a 2 or higher. Third round, the shrieking continues only on 3 result. In which case, it ends at the beginning of the next round, having reached its maximum duration.

Fixed Plus Variable Duration

A character quaffs an invisibility potion, which lasts a fixed period of 6 turns plus a variable duration of 1 to 6 turns (by my reading of Holmes, 37), which is 7 to 12 turns. For the first 7 turns, no roll is necessary. The character is invisible. At the beginning of the eighth turn—that is, the second turn of the variable duration—roll a d6. On a 2 or higher, the invisibility effect continues. Less than 2, the effect ends; the character becomes visible.

Table of Turns, Duration: 6 plus 1 to 6 (7-12) turns
Duration Turn
Fixed 1 2 3 4 5 6
Variable (d6) 7 8 9 10 11 12
*No. Subsequent Turn (1) 2 3 4 5 6
*The effect continues on a dice result equal to or greater than the current subsequent turn.
() No need to roll when the result can only indicate the effect continues.

Any Dice Combination

Melqart is stunned for 2 to 8 turns. Roll the same dice combination, 2d4, at the beginning of each subsequent turn, ignoring the first and second, when the result can only indicate the effect continues. But count all turns following the trigger as subsequent turns. At the beginning of the third turn of the duration, a 2d4 result of 3 or greater means the effect continues.

Table of Turns, Duration: 2 to 8 turns
Duration Turn
Variable (2d4) 1 2 3 4 5 6 7 8
*No. Subsequent Turn (1) (2) 3 4 5 6 7 8
*The effect continues on a dice result equal to or greater than the current subsequent turn.
() No need to roll when the result can only indicate the effect continues.

In Play

Disadvantage

More Dice Rolls: We are effectively replacing a single dice roll with a series of rolls, which we like to avoid as it takes more time.

Advantages

Fewer Notes: On the other hand, rolling the usual way, the DM must note and remember when the effect will end. Rolling progressive dice, at least one player has a vested interest in the roll, so it isn’t easily forgotten.

Player Agency: Even with a DM, the player may be allowed to roll the progressive dice.

Increasing Tension: There can be a lot riding on that dice roll. As the turns pass, the tension mounts.

While Melqart squirms on the floor, moaning, palms over ringing ears, the harpy is leading the rest of the party—all charmed—to its nest. Will Melqart come to his senses in time to save them…?

Dice

Statistically Equivalent?

I am uncertain whether there is a difference, using progressive dice, in the statistical chance for the effect to end in any particular point in the duration.

Rolling in the usual way, we have a 1 in 6 chance for the effect to end after any of six turns. At the same time, there is a 100% chance (6 in 6) for the effect to last at least one turn, a 5 in 6 chance it will last at least two turns, 4 in 6 for three turns, and so on.

With progressive dice, the chance to end the effect increases as the turns go by, starting at 0 in 6 in the first subsequent turn, 1 in 6 in the second turn, and so on, up to 5 in 6 at the beginning of the turn of maximum duration. If it doesn’t end on this turn, it will certainly end at the beginning of the next turn.

Intuition tells me it’s the same chance, but that guy has been wrong before. I’ve put the question to a smart math person. Your comments are also welcome. I’ll add an update when I get something.

Once again intuition leads me astray. The so-called “progressive” dice method described in this article is not statistically equivalent to the traditional method. This method is still useful in play, provided we accept the limitation. For further explanation and an alternative solution, see “Progressive Dice, a Misnomer.” [08:30 21 January 2022 GMT]

The Thing About a Dyson Logos Dungeon Map

Watching one of Dyson Logos’s time-lapse videos is mesmerizing. Finger tips squeeze close to nib. Black ink trails as the pen glides along straight lines, jerks through hatch marks. Parallel lines become a long corridor, a protruding rectangle a door frame. Rubble strews across the floor.

Then the hatching. Short, quick strokes: one, two, three—one, two, three… That’s when we know: this guy’s wired different.

There’s a thing about a Dyson Logos dungeon map. By the hatching we recognize the style, because we’ve been admiring his work for more than a decade. But it ain’t the hatching.

The thing is the design.

To make the point, I chose a Dyson Logos map without hatching. Tunnels of the Shrouded Emperor is an example rare and fine.

Tunnels of the Shrouded Emperor
Tunnels of the Shrouded Emperor, Map by Dyson Logos.

The tripartite doorways either side of the entry hall, middle north, a blind stairway landing just south of it, rounded triangular daises in an octagonal room, a balcony overlooking half a chamber, stairs to the side, the generous use of dungeon furnishings—these catch the eye and draw us in.

But there’s more. Charting an imagined course through the dungeon, we follow branches, turn around at dead ends, weave one way or another along parallel routes, until we progress, via a wide thoroughfare, into the southern caverns.

This long trench reminds of a dry watercourse, perhaps a former Darkling tributary, which leads us to the dungeon’s end, where we find only stones and dry bones and lurking creatures. For we’ve missed the diamond-shaped central chambers where its priests work to repair “The Shrouded Emperor.”

That’s the thing about a Dyson Logos dungeon map.


Dyson Logos has been creating hand-drawn maps for fantasy role-playing games since 2009. You can support the creator on Patreon.

Dreaming Amon-Gorloth

Urgent cries in distant dark. Dying echoes, fading into empty space. A spark—a flash of light, flickering orange. Columns rise high above, stabbing gloomy shade. Tunnels twisting out of sight.

Stumbling, lost, behind lumbering figures, purple-cloaked. Under arch, stepping down. Between close walls, beneath heavy vault, cauldrons crouch on red coals. Chanting priests raise green goblets to a shadowed image. All eyes are closed…

Many are troubled by such nightmares. Some wake, seeking respite. Some lie yet in fitful sleep.

Scale: 10’
Dungeon Levels: Seven Levels Deep
Treasure Sequence: The Full Monty Squared
Contents: Flying Tables by Dungeon Geomorphs
Rules: Bluebook D&D

What I’m Doing

In “Dungeon Levels and Treasures,” I present several combinations of scale, dungeon level configuration, and treasure sequence. With the choice of rules and room contents determination method, there are myriad ways to run a Deep Halls campaign.

I want to try a few of them. I’m starting with the most deadly dungeon level configuration and an overly generous treasure sequence to see if it’s possible that player characters might survive to reach 2nd level. If it doesn’t work, it won’t take long.

First Delve into the Deep Halls
First Delve into the Deep Halls.

The Full Monty Squared

10-5-1(2)^1-1-1{44:10}[4,763 XP, 2,255 g.p., 3]

Using this Squared variant of the Full Monty treasure sequence, we award 2 XP per gold piece. While, in a 50-room Level 1 dungeon, there are more than four times the XP required to gain a level, in the seven level configuration of the Deep Halls, Level 1 has only four rooms. Worse, our neophyte adventurers enter on Level 2, which has only 15 rooms. Even these are not contiguous. Nor is Level 3. The 1st-level party must venture to Level 4 before any characters level-up.

So far in Dreaming Amon-Gorloth, Melqart and his companions are seven turns into their first adventure. The party rests beneath a harpy’s nest on Level 3. They have yet found no treasure.

The Full Monty

Not the film, we’re still talking about the game show. Sometimes experienced players grow weary of the low-level slog. We’d like to “rocket through the levels” for a change (Holmes, 22). Just for fun—and isn’t that why we play—use the base sequence from “A ‘Monty Haul’ Dungeon” with a generous increase in treasures per additional character.

What Means the String of Numbers Below?

This is a follow-up article to “Dungeon Levels and Treasures.” See also Notation in “More XP for Treasures.”

Treasure Sequence: The Full Monty

10-5-1^1-1-1{23:10}[2,508 XP, 2,255 g.p. 3]

Experience and wealth yet decrease with more player characters. The party of six acquires five magic items.

Five rolls on the treasure tables for a single treasure—this is the give away show. We were warned. Now the pressure is on the DM to maintain the thrill of adventure through a combination of insidious traps, imaginative hiding places, and clever wealth reduction strategies (see Wealth Extraction in “Running the Campaign”).

You know what you’re doing.